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Mixed & Mastered By Shadab Rayeen Edge Mumbai & New Edge (Ny) Song Recorded labs ( Hyd ) V Studios ( Chennai ) by Osho V Live Dhols & Taasha - ( Dipesh Varma & team ) Sound of Bombay Indian Percussions - Anandan Sivamani & Thaman SĪdditional Percussions - The Gongura Band ( Thamania )
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Singers - Geetha Madhuri Sahiti chaganti Satya Yamini & Aditi Bhavaraju He doesn’t deviate from his signature style of storytelling and has neatly packaged the emotions and comedy in a film that will inevitably be cheered by the front-benchers and enthusiastic fans this festive season.Cast: Nandamuri Balakrishna, Pragya Jaiswal, Srikanth Overall, KS Ravikumar knows the pulse of the audience and succeeds in his endeavours. Natasha Doshi scorches the screen with her oomph, while Nayanthara looks elegant and gives an effective performance. The comedy track appears forced and hardly brings any laughs. Naturally, her father isn’t fond of Narasimha owing to his temperament. Sample this, Narasimha is too scared to ask Gowri’s father (Prakash Raj) for her hand. On the flip side, the mature love track between Narasimha and Gowri lacks novelty. The film is enhanced by interesting twists, striking camerawork and exhilarating backstory. Story-wise, there’s nothing much to talk about, but it definitely unleashes Balayya's charisma. However, he reinvents the much-revered formula with contemporary treatment. Ravikumar hasn't been able to muster up something fresh for the audience and the film appears like a throwback to several intense action dramas from the 90s. He is effortlessly pleasing and infuses his portions with the right amount of vulnerability, composure and strength, delivering a performance that is nothing short of perfect. Unlike some of his recent outings like Lion and Paisa Vasool which shows him in overblown roles, Balakrishna gives a restrained performance in this film which is loaded with chilling action sequences, entertainment, and heart-wrenching emotions. Ten minutes through the second hour, an overdose of melodrama further slackens the film’s pace. The story begins to unravel from the pre-interval episode and becomes quite predictable. He extracts a strong performance not only from Balakrishna, but also from the supporting cast including LB Sriram, Prabhakar and Murali Mohan. The director handles this hour competently with some feel-good moments in a territory that seems quite familiar to us. The first hour of Jai Simha is entertaining with Balakrishna in his elements - the best part is the actor’s discourse about priests and slokas. Who is Narasimha and why is he on the run forms the essence of Jai Simha.
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Meanwhile, he gets framed for the murder of the town’s dreaded gangster Kaniyappan’s (Kalakeya Prabhakar) brother. During the course of his life there, Narasimha learns that his childhood sweetheart Gowri (Nayanthara), who hates him due to some reason lives there.
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He lands in Kumbakonam, earns a living as a driver to the village temple’s trustee - played by Murali Mohan. The film introduces Balakrishna as Narasimha, a man with a dubious past, who leads a nomadic life with his one-year-old son.